I’ve just seen Lyambiko at Tollhaus. The current band consists of a classical jazz trio (Marque Lowenthal on piano, Robin Draganic on bass and Heinrich Köbberling on drums) plus Lyambiko as singer.
Photo: Alexander Kowalski, CC-by-SA
I’ve just seen Lyambiko at Tollhaus. The current band consists of a classical jazz trio (Marque Lowenthal on piano, Robin Draganic on bass and Heinrich Köbberling on drums) plus Lyambiko as singer.
Photo: Alexander Kowalski, CC-by-SA
Bernie Worell (keys), Blackbyrd McKnight (guit), TM Stevens (bass) & Cindy Blackman (drums) gave a concert at the Tollhaus. While most of the visitors obviously enjoyed the music, I was just bored. I visit concerts to listen to each individual musician, what he is doing, how he is doing it and what sounds he uses. I also like to hear well done arrangements.
Today, however, this was impossible. It was just noise. The only two instruments that always have been present were the distorted guitar and the snare drum. It was impossible to determine what the bass played, and the keyboards have just been masked completely.
Of course it was my fault to attend spontaneously. I should have read more about SociaLibrium beforehand. I learned my lesson :) .
I’m just listening to »amen« (1991) of Salif Keïta (who seems to be related to Aly Keïta). While Salif wrote all of the songs, Joe Zawinul (the guy with the “very short fuse“) produced, arranged and orchestrated all tunes. Zawinul mentioned the recording in one of his interviews (german language) as a “must have”.
The Linux Audio Conference, which formerly took place in Karlsruhe, Berlin and Cologne, will leave Germany in 2009 and take place in Parma, Italy. If you plan to attend, book your flights now. If you need a GPX XML file for your GPSr, you can easily get it from openrouteservice.
There is no programme on the website yet, but it should follow during the next couple of weeks.
If you ever played in a band, you know that it requires to permanently communicate with each other. Usually the tune played builds the overall framework. In a rock band, the drummer and the bass player usually contribute the main part to belt together the rest of the band. Of course that’s not enough and would only lead to a huge amount of notes accidentally stuffed together. Instead, all musicians need to communicate, need to “feel” each other.
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Not that I am a fan of destroying things, but well, it’s part of the rock’n'roll history: Keith Emerson treating his Hammond in 1971 :) .
Jazz X Change, featuring Werner Seifert, gave a concert at the Tollhaus. It was dedicated to Joe Zawinul who died last summer.
Edo Zanki who was planned to appear as a special guest (and whom I wanted to hear) unfortunately did not attend. So there have been 6 musicians, including Stephen Housden (guitar), Werner Seifert (Hammond organ, electric piano) and Thomas Siffling (trumpet).
They mainly played stuff from the earlier years of Joe’s carreer, so »Mercy, mercy, mercy« was not missed. Again I enjoyed the sound of a real Hammond. For my taste, though, I missed Joe’s later stuff, including his weird synth sounds :) .
I could not resist to attend a concert of Electric Outlet again. I’ve seen them first at the annual Rock-Shop-Party. Today they played at the Universum Kinocenter in Landau. The sound in the cinema was excellent, due to the absorbing wall coverings and the ceiling being non-parallel to the floor.
Ralf Gustke, Frank Itt and Marcus Deml did a great job, while Marcus could not resist to provide the usual stagy show ;) . I even heard something like an 11/8 bar (5+6 beats). Tom Aeschbacher left the Access Virus at home this time. Instead, he treated two Yamaha synths and a digital Hammond organ. I’m really impressed by his playing. If I ran a band, this was the music I’d like to play.
So, thanks guys for a really nice evening. cu!
To torture you, here’s one of the famous badly lighted N810 photos ;-) :

Aly Keïta (“Ich bin ein Berliner”) gave a concert at the Tollhaus in Karlsruhe. He played his (DIY) Balafon and was accompanied by a great band. Frankly, I was quite impressed, the more that the tickets just were about 5 euro. But the concert turned out to be excellent. I also thought the Balaphon would be boring if played over three hours. It wasn’t. Aly really is a master of his instrument. The playing varied, and I really enjoyed the vitality in his playing. Additionally, Tollhaus was crowded much more than I expected.
Aly’s band consisted of some further excellent musicians. According to the Tollhaus web presence those are:
At the end of the show, Aly brought some further brass musicians to the stage. We wondered why those have been hidden backstage before :) .
All in all, it has been a great concert and we have been more than impressed. Allthough it was not jazzy enough for my taste :) . Unfortunately, I left my Canon Powershot A650 at home and thus needed to take the pictures with the Nokia N810 instead. Judge for yourself:

Recently (2008-07-19), I’ve been at a concert of the reunion tour of Return to Forever. It was a great concert and I enjoyed each second individually. Right now I’m listening to an audio CD called “Electric Chick” (which has nothing to do with "fried chicken", I hope ;-). (more…)
4 days ago, Rui released “The Flirty Ditz”. Since its release at the LAC in Berlin back in 2007, I didn’t play much with it, mainly due to some other time consuming hobby. Rui did some cool helper applications for the linux audio community before, like qjackcontrol and qsynth.
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Though I think he isn’t that wrong, I doubt this will harm Apple in any way. They always have been excellent in managing product life cycles. They will probably discontinue the iPods sooner as we all might expect, coming up with something completely new.
At the annual party of the local “trumpet shop”, there have been two impressive Jazz Bands.
The »Andy Lehmann Quartett« (which unfortunately does not seem to provide a web presence) did a great job. I especially enjoyed the sound of the real, wooden Hammond and its rotary cabinet.
Electric Outlet did sound much harder, “emulating” the “typical 70th jazzrock sound” (what ever it is) . Tom Aeschbacher played a Yamaha Tyros, a Roland VR-760 and an Access Virus. If you are a fan of Billy Cobham, Herbie Hancock etc., you will likely like Electric Outlet.